Dress. Culture: French. Date: ca. 1882. The late nineteenth century in  fashion is governed by both the somewhat typical constructions of lace and  silk eveningwear, and the fairly new and modern representations

Dress. Culture: French. Date: ca. 1882. The late nineteenth century in fashion is governed by both the somewhat typical constructions of lace and silk eveningwear, and the fairly new and modern representations

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Download this stock image: Dress. Culture: French. Date: ca. 1882. The late nineteenth century in fashion is governed by both the somewhat typical constructions of lace and silk eveningwear, and the fairly new and modern representations of women's sport and travel clothing. While most intriguing are the avant-garde developments of the Bloomer pants and the many adaptations of the women's riding habit, which incorporated menswear affectations into both its ornamentation and its construction, the women's walking costume is one of the most difficult ensembles to find currently in pristine condition. Partially because - PAKX0B from Alamy's library of millions of high resolution stock photos, illustrations and vectors.
Dress. Culture: French. Date: ca. 1882. The late nineteenth century in fashion is governed by both the somewhat typical constructions of lace and silk eveningwear, and the fairly new and "modern" representations of women's sport and travel clothing. While most intriguing are the avant-garde developments of the Bloomer pants and the many adaptations of the women's riding habit, which incorporated menswear affectations into both its ornamentation and its construction, the women's walking costume is one of the most difficult ensembles to find currently in pristine condition. Partially because

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Dress. Culture: French. Date: ca. 1882. The late nineteenth century in fashion is governed by both the somewhat typical constructions of lace and silk eveningwear, and the fairly new and modern representations

Dress. Culture: French. Date: ca. 1882. The late nineteenth century in fashion is governed by both the somewhat typical constructions of lace and silk eveningwear, and the fairly new and modern representations

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